Life of Wilkie Collins, English Detective Novel Writer

Wilkie Collins (January 8, 1824 – September 23, 1889) has been called the grandfather of the English detective novel. He was a writer of the sensational school during the Victorian Period, and with bestselling novels and successful plays such as The Woman in White, The Moonstone, and The Frozen Deep, Collins explored the effects of mysterious, shocking, and criminal happenings within  Victorian middle-class families. Early Years and Education Wilkie Collins (born William Wilkie Collins) was born on Jan. 8, 1824, on Cavendish Street in Marylebone, London. He was the eldest of two sons of William Collins, a landscape artist and a member of the Royal Academy, and his wife Harriet Geddes, a former governess. Collins was named after David Wilkie, the Scottish painter who was his godfather. After spending one year at a small preparatory school called Maida Hill Academy  near Tyburn, England, Collins went with his family to Italy, where they stayed from 1837 to 1838. In Italy, the Collins family visited archaeological ruins and museums and resided in a number of cities, including Rome, Naples, and Sorrento, before returning home. Wilkie then boarded at a boys school run by Henry Cole in Highbury from 1838–1841. There, Collins was bullied into telling stories to the other boys at night because he had learned Italian and had picked up on plots from foreign literature and was not shy in bragging about it. At age 17, Collins started his first job with a tea merchant named Edward Antrobus, a friend of his fathers. Antrobus shop was located on The Strand in London. The heady atmosphere of The Strand—a major thoroughfare populated by theaters, law courts, taverns, and newspaper editorial offices—gave Collins ample inspiration to write short articles and literary pieces in his spare time. His first signed article, The Last Stage Coachman, appeared in Douglas Jerrolds Illuminated Magazine in 1843. In 1846, Collins  became a law student at Lincolns Inn. He was called to the bar in 1851, but never  practiced law. Early Literary Career Collins first novel, Iolani, was rejected and didnt resurface until 1995, long after his death. His second novel,  Antonina was only one-third of the way finished when his father died. After the elder Collins death, Wilkie Collins started work on a two-volume biography of his father, which was published by subscription in 1848. That biography brought him to the attention of the literary world. In 1851, Collins  met  Charles Dickens, and the two writers became close friends. Although Dickens was not known to serve as a mentor for many writers, he was surely a supporter, colleague, and mentor for Collins. According to scholars of Victorian literature, Dickens and Collins influenced one another and even co-wrote several short stories. Dickens supported Collins by publishing some of his stories, and it is possible that the two men were knowledgeable of the others less-than-ideal Victorian sexual alliances. Collins was called William and Willie as a child, but as he rose in stature in the literary world,  he became known as Wilkie to just about everyone. The Sensational School The sensation genre of writing was an early stage in the development of the  detective novel. Sensational novels offered a hybrid of domestic fiction, melodrama,  sensational journalism, and  gothic  romances. The  plots contained elements of bigamy, fraudulent identity, drugging, and theft, all of which took place within the middle-class home. Sensational novels owe much of their sensation to the earlier Newgate novel genre, which consisted of biographies of notorious criminals.   Wilkie Collins was the most popular and is today the best-remembered of the sensational novelists, completing his most important novels in the 1860s with  the heyday of the genre. Other practitioners included Mary Elizabeth Braddon, Charles Reade, and Ellen Price Wood. Family and Personal Life Wilkie Collins never married. It has been speculated that his close knowledge of Charles and Catherine Dickens unhappy marriage may have influenced him. In the mid-1850s, Collins began living with Caroline Graves, a widow with one daughter. Graves lived in Collins house and looked after his domestic affairs for most of thirty years. In 1868, when it became clear that Collins would not marry her, Graves briefly left him and married someone else. However, she and Collins reunited two years later after Graves marriage ended. While Graves  was away, Collins became involved with Martha Rudd, a former servant. Rudd was 19 years old, and Collins was 41. He established  for her a few blocks away from his home. Together, Rudd and Collins had three children: Marian (born 1869), Harriet Constance (born 1871), and William Charles (born 1874). The children were given the surname name Dawson, as Dawson was the name Collins used when he bought the house and visited Rudd. In his letters, he referred to them as his morganatic family. By the time he was in his late thirties, Collins was addicted to laudanum, a derivative of opium, which featured as a plot point in many of his best novels, including The Moonstone. He also traveled throughout Europe and led a fairly lavish and sybaritic lifestyle with his traveling companions, including Dickens and others he met along the way. Published Works Over his lifetime, Collins wrote 30 novels and over 50 short stories, some of which were published in magazines edited by Charles Dickens. Collins also wrote a travel book (A Rogues Life), and plays,  the best-known of which is The Frozen Deep, an allegory of the failed Franklin expedition to find the Northwest Passage across Canada. Death and Legacy Wilkie Collins died in London on Sept. 23, 1889, at the age of 69, after having suffered a debilitating stroke. His will divided what proceeds were left from his writing career between his two partners, Graves and Rudd, and the Dawson children. The sensationalism genre faded in popularity after the 1860s. However, scholars credit sensationalism, especially  Collins work, with reimagining the Victorian family  in the midst of social and political changes of the Industrial Age. He often depicted strong women who overcame the injustices of the day, and he developed plot devices that the next generations of writers such as Edgar Allan Poe and Arthur Conan Doyle used to invent the detective mystery genre. T.S. Elliot said of Collins that he was the first and greatest of modern English novelists. Mystery writer Dorothy L. Sayers said that Collins was the most genuinely feminist of all the 19th century novelists. Wilkie Collins Fast Facts Full Name: William Wilkie CollinsOccupation:  AuthorKnown For: Bestselling detective novels and developing of the sensational genre of literatureBorn: January 8, 1824  in London, EnglandParents Names: William Collins and Harriet GeddesDied: September 23, 1889 in London, EnglandSelected Works: The Woman in White, The Moonstone, No Name, The Frozen DeepSpouses Name:  Never married, but had two significant partners –  Caroline Graves, Martha Rudd.Children: Marian Dawson, Harriet Constance Dawson, and William Charles DawsonFamous Quote:  Ã¢â‚¬Å"Any woman who is sure of her own wits, is a match, at any time, for a man who is not sure of his own temper.† (from  The Woman in White) Sources Ashley, Robert P. Wilkie Collins Reconsidered. Nineteenth-Century Fiction 4.4 (1950): 265–73. Print.Baker, William, and William M. Clarke, eds. The Letters of Wilkie Collins: Volume 1: 1838–1865. MacMillan Press, LTD1999. Print.Clarke, William M. The Secret Life of Wilkie Collins: The Intimate Victorian Life of the Father of the Detective Story. Chicago: Ivan R. Dee, 1988. Print.Lonoff, Sue. Charles Dickens and Wilkie Collins. Nineteenth-Century Fiction 35.2 (1980): 150–70. Print.Peters, Catherine. The King of Inventors: A Life of Wilkie Collins. Princeton: Princeton Legacy Library: Princeton University Press, 1991. Print.Siegel, Shepard. Wilkie Collins: Victorian Novelist as Psychopharmacologist. Journal of the History of Medicine and Allied Sciences 38.2 (1983): 161–75. Print.Simpson, Vicky. Selective Affinities: Non-Normative Families in Wilkie Collinss No Name. Victorian Review 39.2 (2013): 115–28. Print.